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Italian photographer Luigi Fieni brings us the best in photojournalism. Although Luigi began his career as an aeronautical engineer, since 1999 he has chosen a different, artistic, path. For nearly fifteen years, he has been a master conservationist of wall paintings, wood carvings and sculptures in Nepal.  He also passes on his craft by leading a training program in Lomanthang, the capital of Mutang.

Versatile and international, Fieni also restores some of the most majestic monuments in Europe. He has helped restore Basilica dei Santi Ambrogio e Carlo al Corso, Church of San Pietro Apostolo in Poli, Church of Santo Stefano in Poli, and the Civic Archaeological Museum of Albano Laziale among others.

The deep knowledge and respect for cultures throughout the ages and across the globe that Fieni exhibits in his restoration projects also shines through in his breathtaking photojournalism.  A poet with images, Luigi also has a way with words.  The presentation of photography, restoration projects and background on his website, below, is in itself a work of art, combining beautiful images, soothing music and his own poetic eloquence.  

Like the Impressionists, Luigi explores the relation between light, meaning and meditation. He states on his website, “Using cameras, in all their forms, fascinates me. Mesmerized by the noise of the shutter I am granted sorcery… I am enthralled by the diversity and am always looking to capture a moment rather than an image.”

Fieni experiments artistically with the format, focus and angle of the camera to produce images that capture motion, beauty, emotion, energy and yet, somehow, also remain faithful to the scenery or people they portray. There’s a sense of reverence that pervades Fieni’s images that may have something to do with his years of experience with the restoration of cultural artifacts. But it has even more to do with his modesty and appreciation for world cultures and, above all, for his fellow human beings.

“In a way,” Luigi explains, “the light entering through the lens does not just alter some silver grains or some pixels but it carries all the vibrations, all the emotions in one evocative moment.” In our regular lives, filled with the routines of work, familial responsibilities, or even mindless diversions, it’s easy to bypass a deeper, almost spiritual, appreciation for life in all its kaleidoscope of emotions, forms and colors. Luigi Fieni’s spectacular photorealism represents not only the best of this arform, but also a form of meditation through art.

 Claudia Moscovici, postromanticism.com