Alexandru Darida, art, art blog, art criticism, Claudia Moscovici, contemporary art, fine art, fineartebooks, postromantic art, postromantic movement, postromantic painting, postromanticism, postromanticism.com, Romania, Romanian art, Romanticism and Postromanticism, The Iconic Art of Alexandru Darida
Alexandru Darida was born in 1955 in Romania. He benefited from an extensive artistic training. He studied at the Ecole de Beaux Arts in Romania, the Liberal Academy of Art in Rome and the American Academy of Art in Chicago. His work has been featured in Municipal Galleries and the National Museum of Art in Bucharest, Romania. It has won numerous awards, including the prestigious Formello-Rome International Prize for painting.
Alexandru Darida was born in Transylvania, the region best known in the West for its ruthless ruler, Vlad Tepes, and the myth of Dracula that it later inspired. Yet his is not a regional work, but an art that recaptures the timeless magic and imagination of fairy tales. His iconographic paintings, though they retain an Eastern European feel, transcend any particular place and time, in the same way the fairy tales of the brothers Grimm did during the eighteenth-century and the Romantic poetry of Romania’s national poet, Mihai Eminescu, did during the nineteenth-century.
Just as the Romantics sought inspiration in medieval and gothic literature, architecture and art, so the postromantic art of Alexandru Darida harks back to the radiance of medieval illuminations. His mysterious, ethereal female figures seem transposed from a distant place and time; a time when femininity was associated with magic, mysticism and spirituality. Light, winged, golden and glowing like religious icons, embellished with flowers and crowns like classical goddesses, Darida’s women are allegorical phantasms that populate our childhood fantasies and dreams. His application of paint is both delicate and rough. Soft plays of light and shadow highlight the luminosity of gold. At the same time, the vitality of heavy, swirling and knife-edge application of paint endows his paintings with a modern feel: as if bringing down to earth, into our very lives, the lightness and elevation of his fairytale-like art.
Claudia Moscovici, postromanticism.com